Pablo Picasso's statement, "I do not seek, I find," describes a creative approach that elevates the unforeseen and the accidental into a guiding artistic principle. This attitude also permeates my own work, which is deeply rooted in a connection with nature and the world of colours, forms, and structures.

My artistic journey began with slide collages, sound images, cut-ups, and Super 8 films altered with sand and alcohol. Even then, I was fascinated by the playful interaction of different analogue image and sound media, their combination, and their transformation through experimentation.

From 2006 onwards, alongside my work as an actor, I photographed primarily floral subjects during my travels. These images became the basis for digital - and in part analogue - manipulations and collages.

Since 2009, abstract painting has increasingly taken centre stage in my practice.

Inspired by the art of the Australian Aboriginal peoples and the philosophy of Zen, I began creating my Dot Paintings. Often stippled almost blindly with the finest pigment marker, these works are, for me, meditative testimonies to a creative process in which each fleeting moment is captured point by point. Every individual dot initially appears isolated on the paper, yet together with hundreds of thousands of others, it forms an image.

In my smoke drawings, created with camphor soot, I capture the interplay of fire, air, and movement on paper.

With curiosity, I observe the physical and chemical reactions of liquids. Usually, I determine the initial motif or the colour. The rest unfolds by itself. Curiosity is my driving force. I welcome being surprised.

By incorporating printed transparent foils, I sometimes add an additional visual and conceptual layer to an existing motif.

A field of tension emerges. An interaction.

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Everything changes, everything is in motion, everything vibrates.

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Everything happens when it happens, because it happens.